The marble Hygieia at the Worcester art museum is missing her head and arms, yet still appears graceful and somehow beckoning. From the 2nd century CE, excavated in Antioch, the goddess of health (Greek: ὑγίεια – hugieia) still retains traces of gilding on her long, wavy hair.
Hygieia was one of the Aeclepiadae; the sons and daughters of the god of medicine, Asclepius, and the goddess of healing, Epione. Her name is the source of the word “hygiene”. Many neoclassical American sculptors took on this theme, notably Edmonia Lewis.
The Frederic Remington Museum in Ogdensburg, New York, has the only collection of sculpture by Sally James Farnham, the early 20th century neoclassical sculptor of monuments and portraits. Sally’s Soldiers and Sailors Civil War Memorial (above) is across the street, behind the Ogdensburg Public Library.
Both Remington and Farnham were Ogdensburg natives, and probably met in later life while living in New York City. Remington was Farnham’s mentor and encouraged her early work, even recommending his New York foundry, Roman Bronze.
I’m very excited to participate in the Museum’s first artist in residence program this summer, working on projects related to Sally. I’ll be posting upcoming activities and events at the Remington—workshops and talks—starting July 1.
An addendum to this post from the Remington appears on Facebook, thanks to director Laura Foster and the Sally Farnham Catalog Raisonne Project director Michael Reed: https://www.facebook.com/search/top/?q=sally%20james%20farnham