Davida Johnson Clark, the model whose classically beautiful features pervaded Augustus St. Gaudens’ visualizations of Diana, Victory, and Amor Caritas, is one of the most highly visible faces in neoclassical art. Yet the woman herself—St. Gaudens’ longtime mistress and mother of one of his sons—has almost disappeared from history.
A Swedish immigrant whose name was originally Albertina Hulgren, Davida was re-christened by St. Gaudens after Michelangelo’s David. Her great-granddaughter wrote a fictionalized biography of her in 2016.