Nora Valdez contributes sculpture and little-seen drawings to “Close to Home” at the Duxbury Art Center Complex. Her poignant work explores the isolation of the immigrant experience–and her work is more apt now than ever. It’s refreshing to see Valdez’s work both inside and outside the museum–in the galleries and also in the permanent sculpture garden on the grounds.
There is a panel discussion this Sunday, November 19th, from 2-3:30pm at the Museum, featuring “Close to Home” curator Elizabeth Michelman.
A lifesize, floating shark by Kitty Wales, Requiem (1997), hangs outside the Duxbury Art Complex. Made of steel and tin, slowly achieving a rust patina in the shore weather, this Caribbean Reef shark seems recently to have become a symbol–perhaps unintended–of the plight of marine mammals around the globe. Wales works from direct observation of nature, admiring the “grace and fluidity” of sharks, whose numbers have declined rapidly since the piece was made. The title is more relevant than ever.