Jenny Carpenter and Merill Comeau‘s Some Semblance of deploys a virtuosic range of work which conveys both the dailiness and disruption of family life. Between the two artists, we see drawing, collaged fabric sculpture, installations, and an evocative display of found/collected objects.
Comeau deconstructs and reconstructs textiles employing traditional sewing techniques to convey reordered narratives. Jenny Carpenter draws on veneer panel, and creates installations like the one above that embody the simultaneous protection and painful constriction of family ties.
At ArtSpace Maynard until May 26. Check website for directions and hours.
Above: Jenny Carpenter, Cradle
The Frederic Remington Museum in Ogdensburg, New York, has the only collection of sculpture by Sally James Farnham, the early 20th century neoclassical sculptor of monuments and portraits. Sally’s Soldiers and Sailors Civil War Memorial (above) is across the street, behind the Ogdensburg Public Library.
Both Remington and Farnham were Ogdensburg natives, and probably met in later life while living in New York City. Remington was Farnham’s mentor and encouraged her early work, even recommending his New York foundry, Roman Bronze.
I’m very excited to participate in the Museum’s first artist in residence program this summer, working on projects related to Sally. I’ll be posting upcoming activities and events at the Remington—workshops and talks—starting July 1.
Salish Vision, 2002
red cedar, copper, acrylic
Courtesy of the Museum of Anthropology, The University of British Columbia, Vancouver, Canada, Salish Weave Collection, 3113/6
Photo: Janet Dwyer