Gail Erwin‘s niche sculptures at 6 Bridges Gallery in Maynard explore the hidden, often very private, nature of prejudice. The aggregation of tiny boxes shows us intimate scenes of cruelty or implied violence. Nails, charred wood, chain, and wire are sometimes dusted with glitter or placed against shiny foil, creating an eerie attractiveness. Erwin also shows her signature cyanotypes; this new series of studies of empty windows and doorways often represent scenes of former violence, such as the homes of the ill-fated Cathars, or long-dead Celts.
The cooperative 6 Bridges Gallery presents Niche: Cyanotypes and Constructions through April 15, 2017. Gallery hours are Tuesday 11-3, Wednesday-Friday 11-6, Saturday, 10-5.
Boston artist Susan Alport has installed her 5th solo show at SOWA’s Kingston Gallery. It’s difficult to place Alport in any single context. Her work has encompassed drawing, installation, sculpture, painting and photography. Her new exhibit is a meditation on creation itself.
The ongoing process of making art as it originates in and flows through the artist’s senses is the core of the exhibit. Alport uses her own silver gelatin prints and appropriated ephemera: newspaper articles, postcards, yearbook photos. She re-photographs these in associative conglomerations, and juxtaposes them in groups that create a hide-and-seek of context and communication. Alport views the installation itself as a process, a temporal waypoint in the creator’s search. Says Alport: “I’m using this exhibit as a temporary stopping place to find, along with the viewer, points of interconnectedness to move the work forward.”
The sculpture “Fearless Girl” by Kristen Visbal is temporarily installed opposite the iconic life-size bull on Broadway in New York’s financial district. A plaque at the feet of “Fearless Girl,” branded with the SSGA logo, reads: “Know the power of women in leadership. SHE makes a difference.” The sculpture, which appears to be of a young white girl, will remain installed alongside Arturo Di Modica’s “Charging Bull” at least through the end of the month. Installed on the eve of International Women’s Day (March 8) the piece calls attention to not only to women’s defiance in the face of long odds, but the dearth of women in leadership positions in New York’s financial industry.